Alchemical Curiosity Cabinet - Interior

I spend many hours experimenting with my chosen 'alchemy script' photographs to get the look I wanted for the interior of the storage bookbox.
The original photo's and documents are quite grey in appearance, as you can see here below.

I had something different in mind, more sepia or brown. So I changed the picture in PhotoScape, a program on our PC a bit like Photoshop, to create a Sepia look.

I then created a digital collage from several pictures with the idea of creating my own designed 'scrapbook' paper.

Although it looked alright on the screen when I printed it out it was more like pinkish brown, which I didn't like. It also seemed to lose the kind of authenticity I was after. I really liked the inked script of the original 17th century documents, written with a quill.

During one of our meetings at HALS we were introduced to the Archives Conservator Jeff Cargill, an incredible knowledgeable guy, who explained us a lot about how they conserve the documents.

One of the things he showed us was a document in which the ink had created a chemical reaction 'eating' the letters out of the paper. (When you click on the photo, you can see it better)

Although in itself a fascinating topic for further textile/stitch exploration I wanted to do something with ink.

A while ago I had bought a bottle of Walnut Ink Crystals for staining and distressing fabric and paper, giving them an antique look. I still hadn't used it, so I started some experiments with that and liked the look of it.
I ended up inking several A2 size good quality paper, which I then cut into a series of A4, ready to put through my printer. It sounds really straight forward (and it is) but I spend quite some time working out how many papers needed a horizontal/vertical orientation of ink movement on the paper.
Think wood grain in relation to the script fitting in the cabinet - all becomes clear in the end....

To get a 'pure' walnut brown I needed to get rid of the 'colour' of the original photo's, so I manipulated them in PhotoScape into 'grayscale' with further enhancements of sharpen, brighten and contrast,

 so they looked like this.

 

 They were then printed onto the walnut inked hand cut A4 papers, ending up like this.

After that I sprayed them all with hairspray and left them for a few days.

In the mean time I prepared the bookbox by lightly sanding it on all surfaces and applied a primer (Colourfix). I also cut two 'shelves' from mount board and primed these. I further cut some balsa wood square strips and died them with walnut ink.   Then came the scary fun bit of cutting the papers to size and gluing and sealing them with ModPodge into the box.

Et voila

an 'alchemist' cabinet containing pages of alchemy documents written by someone of the Wittewronge family in the 17th century

Curious for more?

Watch this space.

Threads of Time - project Alchemy, Astrology and Medicine

Last October I saw a leaflet at the 'Needlecraft' shop in Hemel Hempstead, inviting textile and mixed media artists to take part in an exciting project organised by the Hertfordshire Archives and Local Studies library. I really needed a new creative challenge, so I signed up for the first meeting at the Local Studies Library in Hertford. The project involves documents from the Wittewronge family collection as inspiration for pieces of textile art to be exhibited at HALS in June 2014. 

Needlelace from the Wittewronge collection DE/Lw/F32

HALS

I was surprised to see that over 30 women had turned up for the meeting and another date was planned for the people who couldn't make the initial meeting. We viewed some of the old documents, which included some old maps and beautiful handwritten scripts.
Being a Dutch expatriate myself I was particularly interested to learn that the Wittewronge family originated from Flanders, part of The Low Countries which was occupied by the Spanish in the 16^th and 17^th Century. Sir John Wittewronge (1618 – 1693), the grandson of Jacques Wittewronghele who fled Ghent with his family in 1564, even altered Rothamstead Manor, which he bought in 1640 to include Dutch gables.
I love a bit of history, especially if I can bridge time and discover connections to myself. So I was quite keen to have a look at some of the other documents in the Wittewronge collection. After looking on the website of the National Archives I discovered to my surprise a series of documents entitled 'Alchemy, astrology and medicine' (see here for a link).

This made me very curious and excited as I have a life long interest in these subjects which inspires my artwork on many occasions. So I arranged to come and view the documents whilst my friend Jackie was attending the second initial meeting. I have never been to the archives before, let alone handling old documents. I couldn't help to be excited when I imagined that someone almost 400 years ago wrote these documents and studied the subjects I am interested in.

Documents on alchemy, astrology and medicine.
 Ref. HALS DE/Lw/Z6

Apart from 3 printed almanacs from the 1640's the other documents were all handwritten treatises in French, Dutch, English and Latin. Difficult to read and understand but with some interesting marks, doodles and pictures.
 

Doodles in a treatise on alchemy Ref. HALS DE/Lw/Z6

There was one page with an alchemical formulae drawn on it. It contains 2 female names, one spelled exactly as mine. How intriguing, but what does it mean? Perhaps the owner tried to work out which of the 2 women were most compatible to marry him. A recipe for a love potion!

 

Alchemical formula for marriage? Ref. HALS DE/Lw/Z6

I love the mysterious looking alchemical symbols and definitely like to incorporate these somehow in my project.

I also like the look of old manuscripts and books, antique and yellowing pages, disintegrating book-covers and so on. I haven't really started to design or work on anything yet, but I am collecting lots of ideas on my Pinterest boards, which you can follow by clicking on 'here'.

I have been fascinated for some time in mixed media as used in 'altered books' and assemblage art, but I have never made anything myself in that manner. I have signed up for a workshop with Paula Watkins at the Embroiderers' Guild on altered books in February and hope to use this towards my project.
So watch this space.